Nationwide Outcry

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About the October 27, 2007
National Mobilization
to Fall Out Against The War
- People everywhere want the war to end. They know that with each passing month, the Iraq war and occupation claims the lives of nearly 100 U.S. service personnel and countless Iraqis, most of them civilians. They are aware that the Iraq disaster drains 12 billion tax-dollars away from much needed social programs, from communities and individuals.

- They want their voice to be counted and make Washington take decisive action to end this outrageous war.

- Many of them take their first step in transforming their antiwar feelings into antiwar action by marching in massive nationwide demonstrations for peace.

- Thousands from all surrounding regions and all walks of life travel to 11 cities around the country in a national expression of the breadth and depth of antiwar sentiment in this nation.

The participating cities are: Boston, Chicago, Jonesborough, Tenn., Los Angeles, New Orleans, New York City, Orlando, Philadelphia, Salt Lake City, San Francisco, and Seattle.

Commentator:

"I am marching in memory of Rabha al-Hamzawi, Iraqi, female, civilian, Muslim Women's Rights activist, member of Manar Women's Association, killed on 24 June 2007 near the Jamaliya orchards in Balad. IBC database file #k6772."

:: Click here to see pictures and video ::

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Pavarotti unparalleled

The World of Music Mourns



A Reflection about a Man
and his Voice

By Ana Elsner


Luciano Pavarotti (October 12, 1935 – September 6, 2007), the world-famous Italian tenor, was one of the most charismatic, talented and celebrated vocal artists of opera stage and concert stage alike. Born in Modena, Italy, Pavarotti studied voice and gave unpaid recitals for several years before embarking on a professional singing career that proved to be of stellar proportions. In 1961 he made his opera debut as Rodolfo in 'La Boheme' in the footlights of a small regional Italian opera house.

Soon he debuted at the most distinguished opera houses of Europe and eventually became a beloved regular in the international world of opera and concert, garnering the affections of thousands of devoted fans.
His perfect pitch and the unique brilliance and deeply resonant beauty of his voice, reaching far into the upper register, earned him the title of "King of the High Cs" and made him one of the most successful recording stars.

Pavarotti, like no other, brought his signature arias and brilliant performances, previously limited to the trained ears of the opera crowd, to a far wider audience.

Hearing him sing, one cannot help but open one's heart to the man and his voice.

Beyond his fame as a tenor, he is noted and remembered as a humanitarian hero for his tireless charity work, raising millions for hunger, HIV/AIDS and refugee issues and for countless other charitable causes.

This is a man who was large in life.
His legacy is and will always be larger than life.

Pavarotti passed away in the early morning hours of September 6, 2007, from pancreatic cancer. He is survived by his first and his second wife and by four daughters.

Many tears will be shed in his memory.


Pavarotti in his own words:

"I think an important quality that I have is that if you turn on the radio and hear somebody sing, you know it’s me. You don’t confuse my voice with another voice."

"I think a life in music is a life beautifully spent."

[See also: 'Luciano Pavarotti Is Dead at 71' by Bernard Holland of the NY Times]

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How to pick and choose

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It's that time again in American politics: The candidates are atwitter, the campaigns are abuzz and the debates abound. Even if you are a diligent voter and make an effort to follow all the hype, you will soon find yourself buried under an avalanche of (mis)information.




It is a common strategy, employed by campaign managers everywhere, to comingle political issues with popular culture in order to attract even the most a-political of citizens.

Many like to think that our personal lives, our family concerns, our health issues, our financial matters, our social contacts, our recreational activities, our private pursuits, our religious affiliations, our choice of entertainment exist in a separate sphere from our town halls, our state houses, our courts, our Congress and our president.

This widespread misconception is being exploited by skilled campaign strategists who wrap their message inside more popular and innocuous slogans and images so it will penetrate down to "where we live".

The question: - How do we separate fact from fabrication?
The answer: - Focus on the issues that matter to you, and examine each candidate's stand on them.

Here are some examples of what might, or should, be of importance to you, your future and the future of your children and grandchildren:

* Assault Weapons Ban
* Arctic National Wildlife Refuge Drilling
* Iraq War
* US Patriot Act
* Universal Healthcare
* Kyoto Protocol on Climate Change

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[Picture THIS]


(Sidebar: 'Democracy' by Leonard Cohen)



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Human Body Plastination - Science or Exploitation

Thanks to a technology called plastination, the general public now has a chance to physically view what only doctors and scientists could once see: the very real and intricate architecture of human anatomy and individual organs, unaffected by decomposition.


Actual human bodies are preserved by a process called polymer impregnation,whereby water and lipids in biological tissues are replaced by curable polymers,silicon rubber, epoxy resin or polyester (all commonly known as plastic).

The plastic is initially pliable, enabling the bodies to be placed in different life-like positions.Depending on the plastic used, it can be hardened by heat, light or gas (see image right) so to retain their shape.

It takes from two to six months to transform a cadaver into a full-body plastinate. Organs are identical to their pre-preservation state down to the microscopic level, providing durable specimens invaluable for study and analysis.

Properly plastinated specimens are completely dry and odorless.

Before plastination, the only method for preserving human cadavers was by storing them in formaldehyde.


[Further reading: Body Worlds]

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The 'Universe Within' is a travelling public exhibit of plastinated human bodies that has been shown in Europe, the US and Japan, presented by the Chinese Society for Anatomical Sciences and the Museum of Life Sciences in Beijing.

It is allegedly supported by Beijing University and the University of Vienna.

The human bodies in this display were said to have been donated to the Museum. Nobody knows who they are.


The assertion by the exhibitor is that these corpses were unclaimed and unidentified at the time of death. Non of these claims can be verified.

One may question whether the cadavers had been properly obtained in a nation where individual rights are not always respected.

With ticket prices ranging from $15 to $20, with a discount for children (!!!), to view the preserved remains of real people, this exhibit of flayed and dissected human corpses artfully exploits the technique of plastination:

One male body stands holding his entire skin draped over a hanger like a coat, his mustache and beard still on the flayed face.

Another, muscles exposed, is poised to throw a baseball.

Down the hall, a man sliced down the middle, so that his internal organs will be displayed, is in an odd minuet with himself, one half reaching out to the other.

What was once a 5-foot-10-inch woman is cut in pork-chop-thick wafers from skull to toes and stretched out to 20 feet in what is essentially a CAT scan made real.

This exhibit and others like it, where bodies of dubious provenance are used for commercial exploitation purposes, have met with huge regional and international outcries of protest on moral and ethical grounds.


[See also: Gunther von Hagens' website with online store]

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Inadvertent Discrimination

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"Most people, no doubt, when they espouse human rights,

make their own mental reservations

about the proper application

of the word 'human',"

Lafollette, Suzanne (1893-1983), American Journalist

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