A Tribute to TONY VAUGHAN by Ana Elsner

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On the night of September 27, 2008, the San Francisco literary community lost one of its most forthright, giving, gentle and beloved members, the poet, artist and musician

Tony Vaughan
(July 14, 1947 - September 27, 2008).

Cancer struck him down and took him from us, but his courageous spirit and his compassion for all living things lives on in his legacy of poems and paintings and in the hearts of all who knew him. We publish here a poem that was written by his fellow poet ANA ELSNER and is a tribute to Tony, his life and work, and his sojourn on this earth.


(Photo above: Tony Vaughan performs at the UCSF Cancer Center, Healing Garden Music Series)
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TONY VAUGHAN
by Ana Elsner


so much
so much
LIFE,

so much
so much
LIVED;

hard
jabs
heart
break

the tyranny
of love and tenderness
transcended,
transcending,
and lapping
at the shore of consciousness;

this valiance
of gingerly rebelling against
the intimacy
of a merciless reality

in soft words
in gentle song
in pastels
on paper;

drifting

on a whiff of the herb,
on a whim of the soul,
on the threadbare sole
of street-corner anonymity
and bus-stop penance;

retracing your footprints,
embedded
in the un-cured clay of mind,

and always seeking by feel,
by feel;

wagering in the currency
of song,
of poem,
of shape and color,
pinned-down,

at times half-veiled in riddles
and distant echoes,

yet decoded to all those
who hold the key of
shared mysticism and wonderment.

You navigated
the un-fathom-able BEING of it all
with stubborn tenacity

while doing battle with the ever-present
specter of resignation.

You kept on moving,
kept on riding the rails,
kept on strumming your guitar,
perhaps to an inattentive crowd,

kept on sketching and re-sketching
the outer reaches
of self.

I call you POET

I call you FRIEND

I call you BROTHER


I RECOLLECT YOU


© Ana Elsner

One of the poems that Ana Elsner reads
in this video recording
is her poem Tony Vaughan
[Click image above to play video]

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At a gathering of friends Ana Elsner reminisces:

"I see Tony sitting across from me at a table outside Café Trieste. I don't remember him ever sitting inside the café. Always outside, with his hat on. He has just taken his guitar out of the beat-up case and cradles it in his lap, while continuing our conversation. Then, almost subconsciously, he fingers a few riffs. He tells me about his novel and the ongoing struggle he has with it, a sort of love/hate relationship with (his) life. I buy him a glass of wine. Later we walk a few steps up Vallejo Street to where the steep alley goes down to Broadway and share a smoke. We are not in a hurry. It's only late afternoon. A fogbank is pouring over the top of Russian Hill. We shiver just a little. But we don't care."

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Ana Elsner remembers George Tsongas, another poet who was dear to her.

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Uncensored Testimony

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"Truth will ultimately prevail where there is pains to bring it to light,"
George Washington

Marking the occasion of the fifth anniversary of the invasion of Iraq, a three day Press conference was held in Missouri by the group IVAW - Iraq Veterans Against the War, aka "Winter Soldier", bringing together veterans, service members and civilians to share their eyewitness accounts of the occupations in Iraq. Many spoke out about the indiscriminate violence ordered by their commanders, about the cover-up by American military of widespread civilian killings in Iraq, and about other hair-raising ordeals.


The IVAW is calling for
(1) the immediate withdrawal of all occupying forces from Iraq
(2) Veterans benefits and healthcare
(3) reparations for the Iraqi people


(Note: This event was not reported by any of the U.S. mainstream media...)

Luis Montalván, a 34-year-old former captain with a chest full of medals and two Iraq tours under his belt, said he joined the anti-war movement to denounce the statements put forward by high-ranking officials and to disclose the rampant corruption.

Captain Luis Montalván who is now tied to a cocktail of medications for ailments ranging from post-traumatic stress disorder to chronic pain resulting from an attack, slammed the Bush administration for "perpetrating high crimes and misdemeanors, committing dereliction of duty, lies and mismanagement" in Iraq.

As the medals on his chest caught a glint of spring sunlight,
he called on Americans to "vote the right way"
in the November presidential election:

"Vote for the candidate
who is most likely
to extricate us from Iraq," Montalván said.
(via Middle East online)

[See also: "No, thank you!"]


[Related link: How to pick and choose]



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Sit and ponder this

-:- -:- -:- -:- -:- -:- -:- -:- -:- -:- -:- -:- -:- -:- -:-

I Sit and Look Out

I sit and look out upon all the sorrows of the world,
and upon all oppression and shame;
I hear secret convulsive sobs from young men, at anguish with themselves, remorseful after deeds done;
I see, in low life, the mother misused by her children,
dying, neglected, gaunt, desperate;
I see the wife misused by her husband -
I see the treacherous seducer of young women;
I mark the ranklings of jealousy and unrequited love,
attempted to be hid -
I see these sights on the earth;
I see the workings of battle, pestilence, tyranny -
I see martyrs and prisoners;
I observe a famine at sea - I observe the sailors
casting lots who shall be kill’d,
to preserve the lives of the rest;
I observe the slights and degradations
cast by arrogant persons upon laborers,
the poor, and upon negroes, and the like;
All these -
All the meanness and agony without end,
I, sitting,
look out upon,
see, hear, and am silent.

-Walt Whitman, (1819-1892),
American humanist, poet, journalist, editor, teacher, and clerk at the U.S. Department of the Interior

Visit the world of Ana Elsner, a contemporary poet who was inspired by Walt Whitman

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Have you forgotten yet

Siegfried Loraine Sassoon (1886-1967) was a British poet, diarist and author, known for his anti-war verse which resulted from his own experiences while in military service during World War I.

Horrified by the brutal realities of war, Sassoon's writing took a drastic turn away from the romantic sweetness of his early verse. This new stark and unembellished war poetry was intended to disclose the ugly truths of the trenches to an audience that had been seduced by patriotic propaganda.

Graphic descriptions of mangled limbs, rotting corpses, horror, depravity and despair are the trademarks of Sassoon's poems about WWI. These word-paintings are rendered in a rich and compelling language and with the utmost candor.


In 'Aftermath' the poet admonishes us, not to be lulled into complacency, to always remember "the slain of the War" and to "stop and ask, 'Is it all going to happen again?'"

Sadly, since Sassoon's time in WWI many more wars have been unleashed on mankind right up to the current U.S. war with Iraq.

Yes, Siegfried, it did all happen again, is all happening again and will continue to happen again...


[Related: Looking back on World War II ]

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Human Body Plastination - Science or Exploitation

Thanks to a technology called plastination, the general public now has a chance to physically view what only doctors and scientists could once see: the very real and intricate architecture of human anatomy and individual organs, unaffected by decomposition.


Actual human bodies are preserved by a process called polymer impregnation,whereby water and lipids in biological tissues are replaced by curable polymers,silicon rubber, epoxy resin or polyester (all commonly known as plastic).

The plastic is initially pliable, enabling the bodies to be placed in different life-like positions.Depending on the plastic used, it can be hardened by heat, light or gas (see image right) so to retain their shape.

It takes from two to six months to transform a cadaver into a full-body plastinate. Organs are identical to their pre-preservation state down to the microscopic level, providing durable specimens invaluable for study and analysis.

Properly plastinated specimens are completely dry and odorless.

Before plastination, the only method for preserving human cadavers was by storing them in formaldehyde.


[Further reading: Body Worlds]

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The 'Universe Within' is a travelling public exhibit of plastinated human bodies that has been shown in Europe, the US and Japan, presented by the Chinese Society for Anatomical Sciences and the Museum of Life Sciences in Beijing.

It is allegedly supported by Beijing University and the University of Vienna.

The human bodies in this display were said to have been donated to the Museum. Nobody knows who they are.


The assertion by the exhibitor is that these corpses were unclaimed and unidentified at the time of death. Non of these claims can be verified.

One may question whether the cadavers had been properly obtained in a nation where individual rights are not always respected.

With ticket prices ranging from $15 to $20, with a discount for children (!!!), to view the preserved remains of real people, this exhibit of flayed and dissected human corpses artfully exploits the technique of plastination:

One male body stands holding his entire skin draped over a hanger like a coat, his mustache and beard still on the flayed face.

Another, muscles exposed, is poised to throw a baseball.

Down the hall, a man sliced down the middle, so that his internal organs will be displayed, is in an odd minuet with himself, one half reaching out to the other.

What was once a 5-foot-10-inch woman is cut in pork-chop-thick wafers from skull to toes and stretched out to 20 feet in what is essentially a CAT scan made real.

This exhibit and others like it, where bodies of dubious provenance are used for commercial exploitation purposes, have met with huge regional and international outcries of protest on moral and ethical grounds.


[See also: Gunther von Hagens' website with online store]

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